Dining Chairs. Mixed, Not Matched.

If you hire me, whether your leanings are modern or traditional, you're on board with my love of all things layered. You sign up because you like my taste and style, even if you don't yet know that means a motley mix of furniture pieces, fabrics and finishes. I won't let clients succumb to fear-based matching, even when they call it coordinating. I've said it over and over, "If you just buy what you love, no matter the style, it will always 'go'!" I totally believe this, whether 'it' is a dainty chair, an abstract painting or the fabric for a pillow. I also try my best to mix the finishes on pieces to avoid that showroom feel. Especially when it comes to dining rooms. 

I'm onto finish number three in a current dining room. We are designing the chairs that will surround an 18th Century farm table. The room is actually more of a dining porch, designed to look like an exterior space that was later enclosed with windows. "Original" exterior shingles cover the walls, tongue and groove lines the ceiling, lantern style sconces light the sitting area, and tumbled stone lays across the floors. Classic, casual and super comfortable. 

I envision a barefoot sort of dining room; one that beckons friends and family to a table set with beers and bratwursts, yet knows how to gussy itself up for the occasional holiday dinner. 

So onto the chairs. From the beginning I saw antique Swedish something or other. I hadn't quite settled on the style. Maybe an upholstered Louis XVI, or a simplified Hepplewhite, but definitely something with the lightness of a painted finish. I always love this contrast with an antique walnut table. 

I'm definitely throwing some kind of wicker in the sitting area at the end of the long space. 

So many directions to go. So many beautiful choices waiting to be chosen. No matter what, I'll be sure the chairs, like the rest of the house, are comfortable, casual and totally inviting.